The Demands Of Art

The room is silent, except for the blues music playing softly on a small boom box and the sound of scratching. Seventeen artists arranged in the circle trade pencils, paint, and pastels in an effort to recreate a single subject. The model, a dance instructor, is dressed in work out wear and poses on a small bench in the center of the circle, her head tilted slightly upward.

With some artists, they focus on her upswept hair and charming features. Others are captivated by her body and legs, which they draw in long strokes or with soft shades. The model's different poses can be superimposed across the canvas to achieve movement, which one painter from Crystal Lake does with watercolor outlines. During the group's weekly meetings, she has a chance to brush up on new techniques and figure drawing, as the rest of her time is devoted to landscape paintings.

According to the artist, art takes practice, contrary to popular belief. She stands back to assess today's art and finds she likes it. When a portrait connects with a viewer through the subject's face and figure, it is deemed great, but greatness in art is rather random, attacking during practice or after long hours of study.

Then there's the case of another female member of the group, a portrait artist, who left twenty years ago for the business world and returned two years ago. She thought portraits were her heart and soul. On canvas she expresses what she has understood from what the subject is saying to her. Using what most would consider clashing color combinations of dark green, blue, yellow and white she is able to capture the regalness of the model.

The depth of art comes from the ability of an artist to look beyond face colors. For the painting to come to life, light and corresponding tones, whether cool blues and greens or warm yellows and whites, must also be painted. Renoir was acclaimed for this technique, which she has always wanted to try. The subject of a commissioned work can be painted during a live sitting or through photographs. With a photograph, the patron saves time, but with a live sitting, the patron gains a portrait that more accurately reflects his personality. It takes much effort to depict personality through art. The challenge lies in capturing a personality that shows itself only momentarily. She does not dwell on recreating one's likeness, but she still does a good job of it. She believes one's inner beauty takes precedence, which is a good technique when successful.

When a patron tells an artist what he wants, the artist must compromise his own leanings. Contrary to what laymen might think, vibrant colors are actually flattering to the subject.


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